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	<updated>2026-08-16T18:26:56Z</updated>
	<subtitle>User contributions</subtitle>
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	<entry>
		<id>https://en.formulasearchengine.com/w/index.php?title=Rainflow-counting_algorithm&amp;diff=295434</id>
		<title>Rainflow-counting algorithm</title>
		<link rel="alternate" type="text/html" href="https://en.formulasearchengine.com/w/index.php?title=Rainflow-counting_algorithm&amp;diff=295434"/>
		<updated>2015-01-03T05:04:44Z</updated>

		<summary type="html">&lt;p&gt;130.76.96.146: /* Algorithm */ change sub items to simpler bullets&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Electrical Engineer Courtney Bedell from Barrie, really likes model trains, [http://Mathacademygroup.com/members-4/harleyspencer/activity/19011/ top 20 property developers in singapore] developers in singapore and swimming. Recalls what an extraordinary place it was having  paid a visit to Kutná Hora: Historical Town Centre.&lt;/div&gt;</summary>
		<author><name>130.76.96.146</name></author>
	</entry>
	<entry>
		<id>https://en.formulasearchengine.com/w/index.php?title=Shewhart_individuals_control_chart&amp;diff=254920</id>
		<title>Shewhart individuals control chart</title>
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		<updated>2014-04-17T20:01:17Z</updated>

		<summary type="html">&lt;p&gt;130.76.32.198: Corrected author-link to link to wikipedia page for author.&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Jayson Berryhill is how I&#039;m known as and my wife doesn&#039;t like it at all. Office supervising is exactly where my main income comes from but I&#039;ve always wanted my own company. For a while I&#039;ve been in Mississippi but now I&#039;m contemplating other options. The preferred pastime for him and his  [http://srncomm.com/blog/2014/08/25/relieve-that-stress-find-a-new-hobby/ free psychic] kids is to play  [http://www.herandkingscounty.com/content/information-and-facts-you-must-know-about-hobbies psychic chat online] lacross and he would never give it up.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Review my page :: free tarot readings ([https://www.machlitim.org.il/subdomain/megila/end/node/12300 www.machlitim.org.il])&lt;/div&gt;</summary>
		<author><name>130.76.32.198</name></author>
	</entry>
	<entry>
		<id>https://en.formulasearchengine.com/w/index.php?title=Basic_Linear_Algebra_Subprograms&amp;diff=7428</id>
		<title>Basic Linear Algebra Subprograms</title>
		<link rel="alternate" type="text/html" href="https://en.formulasearchengine.com/w/index.php?title=Basic_Linear_Algebra_Subprograms&amp;diff=7428"/>
		<updated>2014-01-23T20:37:55Z</updated>

		<summary type="html">&lt;p&gt;130.76.32.214: &amp;quot;BLAS&amp;quot; is to be construed as singular.&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;A &#039;&#039;&#039;digital watermark&#039;&#039;&#039; is a kind of marker covertly embedded in a noise-tolerant [[Signal (electrical engineering)|signal]] such as audio or image data. It is typically used to identify ownership of the copyright of such signal. &amp;quot;Watermarking&amp;quot; is the process of hiding digital information in a [[carrier signal]]; the hidden information should,&amp;lt;ref name=&amp;quot;Cox&amp;quot;&amp;gt;Ingemar J. Cox: &#039;&#039;Digital watermarking and steganography&#039;&#039;. Morgan Kaufmann, Burlington, MA, USA, 2008&amp;lt;/ref&amp;gt; but does not need to contain a relation to the carrier signal. Digital watermarks may be used to verify the authenticity or integrity of the carrier signal or to show the identity of its owners. It is prominently used for tracing [[copyright infringement]]s and for [[banknote]] authentication.&lt;br /&gt;
Like traditional [[watermark]]s, digital watermarks are only perceptible under certain conditions, i.e. after using some algorithm, and imperceptible anytime else.&amp;lt;ref name=&amp;quot;Shih&amp;quot;&amp;gt;Frank Y. Shih: &#039;&#039;Digital watermarking and steganography: fundamentals and techniques&#039;&#039;. Taylor &amp;amp; Francis, Boca  Raton, FL, USA, 2008&amp;lt;/ref&amp;gt; If a digital watermark distorts the carrier signal in a way that it becomes perceivable, it is of no use.&amp;lt;ref name=&amp;quot;Shih&amp;quot; /&amp;gt; Traditional Watermarks may be applied to visible media (like images or video), whereas in digital watermarking, the signal may be audio, pictures, video, texts or 3D models. A signal may carry several different watermarks at the same time. Unlike [[metadata]] that is added to the carrier signal, a digital watermark does not change the size of the carrier signal.&lt;br /&gt;
&lt;br /&gt;
The needed properties of a digital watermark depend on the [[use case]] in which it is applied. For marking media files with copyright information, a digital watermark has to be rather robust against modifications that can be applied to the carrier signal. Instead, if integrity has to be ensured, a fragile watermark would be applied.&lt;br /&gt;
&lt;br /&gt;
Both [[steganography]] and digital watermarking employ steganographic techniques to embed data covertly in noisy signals. But whereas steganography aims for imperceptibility to human senses, digital watermarking tries to control the robustness as top priority.&lt;br /&gt;
&lt;br /&gt;
Since a digital copy of data is the same as the original, digital watermarking is a passive protection tool. It just marks data, but does not degrade it nor controls access to the data.&lt;br /&gt;
&lt;br /&gt;
One application of digital watermarking is &#039;&#039;source tracking&#039;&#039;. A watermark is embedded into a digital signal at each point of distribution. If a copy of the work is found later, then the watermark may be retrieved from the copy and the source of the distribution is known. This technique reportedly has been used to detect the source of illegally copied movies.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== History ==&lt;br /&gt;
&lt;br /&gt;
The term &amp;quot;digital watermark&amp;quot; was first coined in 1992 by Andrew Tirkel and Charles Osborne.&amp;lt;ref&amp;gt;A.Z.Tirkel, G.A. Rankin, R.M. Van Schyndel, W.J.Ho, N.R.A.Mee, C.F.Osborne. “Electronic Water Mark”. DICTA 93, Macquarie University. p.666-673&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Watermarks are identification marks produced during the paper making process. The first watermarks appeared in Italy during the 13th century, but their use rapidly spread across Europe. They were used as a means to identify the papermaker or the trade guild that manufactured the paper. The marks often were created by a wire sewn onto the paper mold. Watermarks continue to be used today as manufacturer&#039;s marks and to prevent forgery.&lt;br /&gt;
&lt;br /&gt;
== Applications ==&lt;br /&gt;
&lt;br /&gt;
Digital watermarking may be used for a wide range of applications, such as:&lt;br /&gt;
&lt;br /&gt;
* [[Copy protection|Copyright protection]]&lt;br /&gt;
* Source tracking (different recipients get differently watermarked content)&lt;br /&gt;
* Broadcast monitoring (television news often contains watermarked video from international agencies)&lt;br /&gt;
&lt;br /&gt;
== Digital watermarking life-cycle phases ==&lt;br /&gt;
[[File:watermark life cycle.svg|thumb|600px|General digital watermark life-cycle phases with embedding-, attacking-, and detection and retrieval functions]]&lt;br /&gt;
&lt;br /&gt;
The information to be embedded in a signal is called a digital watermark, although in some contexts the phrase digital watermark means the difference between the watermarked signal and the cover signal. The signal where the watermark is to be embedded is called the &#039;&#039;host&#039;&#039; signal. A watermarking system is usually divided into three distinct steps, embedding, attack, and detection. In embedding, an algorithm accepts the host and the data to be embedded, and produces a watermarked signal.&lt;br /&gt;
&lt;br /&gt;
Then the watermarked digital signal is transmitted or stored, usually transmitted to another person. If this person makes a modification, this is called an &#039;&#039;attack&#039;&#039;. While the modification may not be malicious, the term attack arises from copyright protection application, where third parties may attempt to remove the digital watermark through modification. There are many possible modifications, for example, lossy compression of the data (in which resolution is diminished), cropping an image or video, or intentionally adding noise.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Detection&#039;&#039; (often called extraction) is an algorithm which is applied to the attacked signal to attempt to extract the watermark from it. If the signal was unmodified during transmission, then the watermark still is present and it may be extracted. In &#039;&#039;robust&#039;&#039; digital watermarking applications, the extraction algorithm should be able to produce the watermark correctly, even if the modifications were strong. In &#039;&#039;fragile&#039;&#039; digital watermarking, the extraction algorithm should fail if any change is made to the signal.&lt;br /&gt;
&lt;br /&gt;
== Classification ==&lt;br /&gt;
&lt;br /&gt;
A digital watermark is called &#039;&#039;robust&#039;&#039; with respect to transformations if the embedded information may be detected reliably from the marked signal, even if degraded by any number of transformations. Typical image degradations are JPEG compression, rotation, cropping, additive noise, and [[Quantization (signal processing)|quantization]]. For video content, temporal modifications and MPEG compression often are added to this list. A digital watermark is called &#039;&#039;imperceptible&#039;&#039; if the watermarked content is perceptually equivalent to the original, unwatermarked content.&amp;lt;ref&amp;gt;Khan, A. and Mirza, A. M. 2007. Genetic perceptual shaping: Utilizing cover image and conceivable attack information during watermark embedding. &#039;&#039;Inf. Fusion&#039;&#039; 8, 4 (Oct. 2007), 354-365&amp;lt;/ref&amp;gt; In general, it is easy to create robust watermarks—or—imperceptible watermarks, but the creation of robust—&#039;&#039;&#039;and&#039;&#039;&#039;—imperceptible watermarks has proven to be quite challenging.&amp;lt;ref name=&amp;quot;Cox&amp;quot; /&amp;gt; Robust imperceptible watermarks have been proposed as tool for the protection of digital content, for example as an embedded &#039;&#039;no-copy-allowed&#039;&#039; flag in professional video content.&amp;lt;ref&amp;gt;[http://www.cptwg.org Copy Protection Technical Working Group (CPTWG)]&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Digital watermarking techniques may be classified in several ways.&lt;br /&gt;
&lt;br /&gt;
=== Robustness ===&lt;br /&gt;
&lt;br /&gt;
A digital watermark is called &#039;&#039;fragile&#039;&#039; if it fails to be detectable after the slightest modification. Fragile watermarks are commonly used for tamper detection (integrity proof). Modifications to an original work that clearly are noticeable, commonly are not referred to as watermarks, but as generalized [[barcode]]s.&lt;br /&gt;
&lt;br /&gt;
A digital watermark is called &#039;&#039;semi-fragile&#039;&#039; if it resists benign transformations, but fails detection after malignant transformations. Semi-fragile watermarks commonly are used to detect malignant transformations.&lt;br /&gt;
&lt;br /&gt;
A digital watermark is called &#039;&#039;robust&#039;&#039; if it resists a designated class of transformations. Robust watermarks may be used in copy protection applications to carry copy and no access control information.&lt;br /&gt;
&lt;br /&gt;
=== Perceptibility ===&lt;br /&gt;
&lt;br /&gt;
A digital watermark is called &#039;&#039;imperceptible&#039;&#039; if the original cover signal and the marked signal are perceptually indistinguishable.&lt;br /&gt;
&lt;br /&gt;
A digital watermark is called &#039;&#039;perceptible&#039;&#039; if its presence in the marked signal is noticeable (e.g. Network Logo, Content Bug, Codes, Opaque images.)&lt;br /&gt;
&lt;br /&gt;
NB. A digital watermark that is perceptual, on the other hand, is imperceptible. It works context-sensitive/adaptive.&lt;br /&gt;
&lt;br /&gt;
=== Capacity ===&lt;br /&gt;
&lt;br /&gt;
The length of the embedded message determines two different main classes of digital watermarking schemes:&lt;br /&gt;
&lt;br /&gt;
* The message is conceptually zero-bit long and the system is designed in order to detect the presence or the absence of the watermark in the marked object. This kind of watermarking scheme is usually referred to as &#039;&#039;zero-bit&#039;&#039; or &#039;&#039;presence watermarking schemes&#039;&#039;. Sometimes, this type of watermarking scheme is called 1-bit watermark, because a 1 denotes the presence (and a 0 the absence) of a watermark.&lt;br /&gt;
* The message is a n-bit-long stream &amp;lt;math&amp;gt;\left(m=m_1\ldots m_n,\; n\in\N\right.&amp;lt;/math&amp;gt;, with &amp;lt;math&amp;gt;\left.n=|m|\right)&amp;lt;/math&amp;gt; or &amp;lt;math&amp;gt;M=\{0,1\}^n&amp;lt;/math&amp;gt; and is modulated in the watermark. These kinds of schemes usually are referred to as multiple-bit watermarking or non-zero-bit watermarking schemes.&lt;br /&gt;
&lt;br /&gt;
=== Embedding method ===&lt;br /&gt;
&lt;br /&gt;
A digital watermarking method is referred to as &#039;&#039;[[Spread Spectrum|spread-spectrum]]&#039;&#039; if the marked signal is obtained by an additive modification. Spread-spectrum watermarks are known to be modestly robust, but also to have a low information capacity due to host [[Interference (communication)|interference]].&lt;br /&gt;
&lt;br /&gt;
A digital watermarking method is said to be of &#039;&#039;quantization type&#039;&#039; if the marked signal is obtained by quantization. Quantization watermarks suffer from low robustness, but have a high information capacity due to rejection of host interference.&lt;br /&gt;
&lt;br /&gt;
A digital watermarking method is referred to as &#039;&#039;[[Amplitude Modulation|amplitude modulation]]&#039;&#039; if the marked signal is embedded by additive modification which is similar to spread spectrum method, but is particularly embedded in the spatial domain.&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== Evaluation and benchmarking ==&lt;br /&gt;
&lt;br /&gt;
The evaluation of digital watermarking schemes may provide detailed information for a watermark designer or for end-users, therefore, different evaluation strategies exist. Often used by a watermark designer is the evaluation of single properties to show, for example, an improvement. Mostly, end-users are not interested in detailed information. They want to know if a given digital watermarking algorithm may be used for their application scenario, and if so, which parameter sets seems to be the best.&lt;br /&gt;
&lt;br /&gt;
== Cameras ==&lt;br /&gt;
&lt;br /&gt;
[[Epson]] and [[Kodak]] have produced cameras with security features such as the Epson PhotoPC 3000Z and the Kodak DC-290. Both cameras added irremovable features to the pictures which distorted the original image, making them unacceptable for some applications such as [[forensic evidence]] in court. According to Blythe and Fridrich, &amp;quot;[n]either camera can provide an undisputable proof of the image origin or its author&amp;quot;.&amp;lt;ref name=&amp;quot;SDC&amp;quot; /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
A secure digital camera (SDC) was proposed by Mohanty, et al. in 2003 and published in January 2004. This was not the first time this was proposed.&amp;lt;ref name=VLSID2004&amp;gt;{{citation |url=http://www.cse.unt.edu/~smohanty/research/ConfPapers/2004/MohantyVLSID2004Chip.pdf |title=VLSI Implementation of Visible Watermarking for a Secure Digital Still Camera Design |author=Saraju P. Mohanty, Nagarajan Ranganathan, and Ravi K. Namballa }}&amp;lt;/ref&amp;gt; Blythe and Fridrich also have worked on SDC in 2004&amp;lt;ref name=SDC&amp;gt;{{citation |url=http://www.ws.binghamton.edu/fridrich/Research/DFRWSfinal.pdf |title=Secure Digital Camera |author=Paul Blythe and Jessica Fridrich }}&amp;lt;/ref&amp;gt; for a [[digital camera]] that would use lossless watermarking to embed a [[biometric]] identifier together with a [[cryptographic hash]].&amp;lt;ref name=AIVT&amp;gt;{{citation |url=http://books.google.com/?id=zHGHCDLIg1oC&amp;amp;pg=PA340 |pages=340–341 |title=Advances in Image and Video Technology |author=Toshikazu Wada, Fay Huang |year=2009 |isbn=978-3-540-92956-7 }}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Reversible data hiding ==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Reversible data hiding&#039;&#039; is a technique which enables images to be authenticated and then restored to their original form by removing the digital watermark and replacing the image data that had been overwritten.  This would make the images acceptable for legal purposes. The U.S. Army also is interested in this technique for authentication of [[reconnaissance]] images.&amp;lt;ref name=Uhh&amp;gt;{{citation |url=http://www.economist.com/sciencetechnology/tq/displayStory.cfm?story_id=E1_TQSGSPP |title=Unretouched by human hand |date=December 12, 2002 |publisher=The Economist }}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Watermarking for relational databases ==&lt;br /&gt;
&lt;br /&gt;
Digital watermarking for relational databases emerged as a candidate solution to provide copyright protection, tamper detection, traitor tracing, maintaining integrity of relational data. Many watermarking techniques have been proposed in the literature to address these purposes. A survey of the current state-of-the-art and a classification of the different techniques according to their intent, the way they express the watermark, the cover type, the granularity level, and their verifiability, can be found in &amp;lt;code&amp;gt;jucs.org&amp;lt;/code&amp;gt;.&amp;lt;ref name=Halder&amp;gt;{{citation |url=http://www.jucs.org/jucs_16_21/watermarking_techniques_for_relational/jucs_16_21_3164_3190_halder.pdf |author= Raju Halder, Shantanu Pal, and Agostino Cortesi |title=Watermarking Techniques for Relational Databases: Survey, Classification and Comparison |publisher=The Journal of Universal Computer Science, vol 16(21), pp. 3164-3190, 2010.hell0 }}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== See also ==&lt;br /&gt;
&lt;br /&gt;
* [[Audio watermark detection]]&lt;br /&gt;
* [[Coded Anti-Piracy]]&lt;br /&gt;
* [[Copy attack]]&lt;br /&gt;
* [[EURion constellation]]&lt;br /&gt;
* [[Pattern Recognition (novel)]]&lt;br /&gt;
* [[Steganography]]&lt;br /&gt;
* [[Traitor tracing]]&lt;br /&gt;
* [[Watermark (data file)]]&lt;br /&gt;
* [[Audio watermark]]&lt;br /&gt;
&lt;br /&gt;
== References ==&lt;br /&gt;
&lt;br /&gt;
{{reflist}}&lt;br /&gt;
&lt;br /&gt;
== Further reading ==&lt;br /&gt;
* [http://omen.cs.uni-magdeburg.de/ecrypt/deliverables/D.WVL.10-1.1.pdf ECRYPT report: Audio Benchmarking Tools and Steganalysis]&lt;br /&gt;
* [http://omen.cs.uni-magdeburg.de/ecrypt/deliverables/DWVL16_final.pdf ECRYPT report: Watermarking Benchmarking]&lt;br /&gt;
* Jana Dittmann, David Megias, Andreas Lang, Jordi Herrera-Joancomarti; &#039;&#039;Theoretical framework for a practical evaluation and comparison of audio watermarking schemes in the triangle of robustness, transparency and capacity&#039;&#039;; In: Transaction on Data Hiding and Multimedia Security I; Springer LNCS 4300; Editor Yun Q. Shi; pp.&amp;amp;nbsp;1–40; ISBN 978-3-540-49071-5,2006 [http://wwwiti.cs.uni-magdeburg.de/~alang/paper/dittmann_magias_lang_joan-eval_audio_WM_triangle-journal.pdf PDF]&lt;br /&gt;
* [http://jot.osa.org/abstract.cfm?id=85832 M. V. Smirnov. Holographic approach to embedding hidden watermarks in a photographic image //Journal of Optical Technology, Vol. 72, Issue 6, pp. 464-468]&lt;br /&gt;
&lt;br /&gt;
== External links ==&lt;br /&gt;
* [http://www.digitalwatermarkingalliance.org/ Digital Watermarking Alliance]&lt;br /&gt;
* [http://www.forensics.nl/digital-watermarking Digital Watermarking &amp;amp; Data Hiding research papers] at forensics.nl&lt;br /&gt;
* [http://knowledgebase.aegisdrm.com/knowledgebase_digital_watermarking_drm.htm Directory of Books, Journals &amp;amp; Conferences on Digital Watermarking and Digital Watermarking Assessment Tools]&lt;br /&gt;
* [http://www.petitcolas.net/fabien/steganography/ Information hiding homepage] by [[Fabien Petitcolas]]&lt;br /&gt;
* [http://www.cs.princeton.edu/gfx/proj/meshwm/ Robust Mesh Watermarking]&lt;br /&gt;
* [http://www.smirnov.sp.ru/watermark/cards/card_eng.html PhotoWaterMark technology: Holographic approach]&lt;br /&gt;
* [http://www.cis.upenn.edu/~lee/00emtm553/watermark.ppt Watermarking Lecture]&lt;br /&gt;
&lt;br /&gt;
{{DEFAULTSORT:Digital Watermarking}}&lt;br /&gt;
[[Category:Authentication methods]]&lt;br /&gt;
[[Category:Watermarking]]&lt;br /&gt;
[[Category:Digital photography]]&lt;br /&gt;
[[Category:Digital watermarking| ]]&lt;/div&gt;</summary>
		<author><name>130.76.32.214</name></author>
	</entry>
	<entry>
		<id>https://en.formulasearchengine.com/w/index.php?title=Aeolian_sound&amp;diff=28971</id>
		<title>Aeolian sound</title>
		<link rel="alternate" type="text/html" href="https://en.formulasearchengine.com/w/index.php?title=Aeolian_sound&amp;diff=28971"/>
		<updated>2013-04-09T23:01:32Z</updated>

		<summary type="html">&lt;p&gt;130.76.32.78: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Infobox enzyme&lt;br /&gt;
| Name = Phosphinothricin acetyltransferase&lt;br /&gt;
| EC_number = 2.3.1.183&lt;br /&gt;
| CAS_number = &lt;br /&gt;
| IUBMB_EC_number = 2/3/1/183&lt;br /&gt;
| GO_code = &lt;br /&gt;
| image = &lt;br /&gt;
| width = &lt;br /&gt;
| caption =&lt;br /&gt;
}}&lt;br /&gt;
&#039;&#039;&#039;Phosphinothricin acetyltransferase&#039;&#039;&#039; ({{EC number|2.3.1.183}}, &#039;&#039;PAT&#039;&#039;, &#039;&#039;PPT acetyltransferase&#039;&#039;, &#039;&#039;Pt-N-acetyltransferase&#039;&#039;, &#039;&#039;ac-Pt&#039;&#039;) is an [[enzyme]] with system name &#039;&#039;acetyl-CoA:phosphinothricin N-acetyltransferase&#039;&#039;.&amp;lt;ref&amp;gt;{{cite journal | title = Characterization of phosphinothricin acetyltransferase and C-terminal enzymatically active fusion proteins |author = Botterman, J., Gossel&amp;amp;eacute;, V., Thoen, C. and Lauwereys, M. |journal = Gene |date = 1991 |volume = 102 |pages = 33-37 |pmid = 1864506}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite journal | title = The metabolites of the herbicide &amp;lt;small&amp;gt;L&amp;lt;/small&amp;gt;-phosphinothricin (glufosinate) (identification, stability, and mobility in transgenic,  herbicide-resistant, and untransformed plants) |author = Dr&amp;amp;ouml;ge-Laser, W., Siemeling, U., P&amp;amp;uuml;hler, A. and Broer, I. |journal = Plant Physiol. |date = 1994 |volume = 105 |pages = 159-166 |pmid = 12232195}}&amp;lt;/ref&amp;gt; This enzyme [[catalysis|catalyses]] the following [[chemical reaction]]&lt;br /&gt;
&lt;br /&gt;
: [[acetyl-CoA]] + [[phosphinothricin]] &amp;lt;math&amp;gt;\rightleftharpoons&amp;lt;/math&amp;gt; CoA + [[N-acetylphosphinothricin]]&lt;br /&gt;
&lt;br /&gt;
The substrate [[phosphinothricin]] is used as a nonselective [[herbicide]] and is a potent inhibitor of [[EC 6.3.1.2]].&lt;br /&gt;
&lt;br /&gt;
== References ==&lt;br /&gt;
{{reflist}}&lt;br /&gt;
&lt;br /&gt;
== External links ==&lt;br /&gt;
* {{MeshName|Phosphinothricin+acetyltransferase}}&lt;br /&gt;
&lt;br /&gt;
[[Category:EC 2.3.1]]&lt;/div&gt;</summary>
		<author><name>130.76.32.78</name></author>
	</entry>
	<entry>
		<id>https://en.formulasearchengine.com/w/index.php?title=Plasmonic_solar_cell&amp;diff=265730</id>
		<title>Plasmonic solar cell</title>
		<link rel="alternate" type="text/html" href="https://en.formulasearchengine.com/w/index.php?title=Plasmonic_solar_cell&amp;diff=265730"/>
		<updated>2012-07-01T13:50:10Z</updated>

		<summary type="html">&lt;p&gt;130.76.96.149: /* Rural */ 25%, rather than 80% is the correct number&lt;/p&gt;
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&lt;div&gt;Our buddy Diva Q wrote about her competition knife set not also extended ago, and it got us pondering about ours. This grill utensils set is not low cost, but it is worth digging a tiny deeper and spending a small additional on anything that is top good quality and going to last in the initially place. Verify out the pretty cool X-ACTO® Basic Knife Set video here.  The new set retails at $29.99 and will be readily available nationwide beginning July 1, 2014.  This is an excellent gift for your creative buddies and the great tool set for creative you. No require to look anywhere else, this set has it all!&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The initial portion of the knife is the blade, which has a cutting edge, a spine that is opposite the cutting edge, and most blades have a tip or point at the end.  Sintered knives are produced by fusing the different components of the knife (blade, tang, and bolster) with each other toa complete knife.  Forged knives are a lot more highly-priced than stamped or sintered knives due to the quantity of individual actions needed to construct a single knife.  Bottom line: the knife really should really feel excellent in the cook&#039;s hand.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Shopping for a compatible sharpener helps assure that you do not have to replace all of your existing knife set. Make security a priority and buy an electric knife sharpener with a guard.  Look for electric knife sharpeners with options for multi-stage sharpening.  A high-high quality knife sharpener delivers functions that enable you to sharpen, steel, hone, strop and then polish your knife. Decide on a sharpening surface when you examine electric knife sharpeners.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Some cooks like to use the steel prior to applying the knife each time.  Celebrity chefs immediately whip their knives back and forth the steel, holding the knife in 1 hand and the steel in the other.  When this is done, turn the knife upward so that the edge is now at a 45-degree angle.  Begin with the back (handle end) of the knife against the steel and draw the blade down and across the steel simultaneously.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Ahead of you start off shopping, take into consideration your cooking style the effect on your wallet will be about the similar whether or not you opt for a single chef&#039;s knife or a great quality, cheap kitchen knives set containing a variety of knives.  Choose a set with fewer knives that will execute superior more than a longer stretch of time.  For cooks whose recipe repertoire includes meat, steak knives as well as knives like a cleaver and boning knife are critical.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;When I&#039;m as well lazy to unpack my knife roll at residence, I normally get away with just a chef&#039;s knife and a bread knife. Knife blocks are a waste of space, and sort of silly,you ask me. Knife sets are just approaches to get you to spend way far more cash than important.  I&#039;ve accomplished my greatest to put with each other a no-nonsense knife purchasing resource for you.  Tang: The part of the knife that extends into the deal with.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;If you cherished this write-up and you would like to obtain far more facts regarding [http://www.thebestkitchenknivesreviews.com/best-chef-knives-reviews/ Best Chef Knives] kindly go to our own web site. How to Use It: The fifth essential tool for your knife block is in fact not a knife at all but rather a honing steel, which is developed to preserve your knives at their peak sharpness for as long as probable.  Bottom line: It really is effortless to set up a formal table that appears attractive and gives diners the tools they want to enjoy your meal. Apart from becoming a helpful tool,  What Is The Best Chef Knives each Swiss Army Knife is rather desirable.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Both the chef&#039;s and paring knives performed beautifully, the kitchen shears (which do come apart for cleaning) had been good and weighty, and I genuinely liked making use of the little santoku knife for chopping lettuce, parsley and other products that did not have to have the full length of a chef&#039;s knife. I did not locate a lot use for the 6-inch utility knife, which looks like a incredibly extended paring knife.  Just get what you want and forget hte block set.&lt;/div&gt;</summary>
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